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Throughout the vast history of art, children often were not depicted, and girls even less so. Yet they can be found in painting, sculpture, photography and drawing in most cultures, most prolifically after the mid 19th century. Before the Renaissance, most likely they were represented only in death. Girls who were not of a wealthy, titled background were also unlikely to have their likeness recorded.
From the marginalized place of the girl, our exhibitions are sites to examine the images that do exist and how these representations coalesce on the body and mind of the girl, young and old.
Whether a specific personality, a body of projected neuroses, an allegory, a symbol or an esoteric ideal, we acknowledge her presence as both necessary and important. Girlhood is defined by many elements. Even before birth, cultural expectations are forced upon the girl child, which she must negotiate before she truly understands them.
Her personality and talents are less important than familial and social responsibilities. The onset of puberty, while a clear physical marker from girl to woman, brings emotional and psychological changes that may take a lifetime to understand and appreciate. Since childhood itself was only acknowledged in the mid- 19th century, the cultural meanings inscribed are more historically ingrained than the word used to describe them. It is both our subject and point of reference. Art history primarily gives us a record of the sanctioned behaviors of girls by individual artists mostly men , families, communities, religious organizations and governments.
