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To browse Academia. Brian Boyd. Xenia Leontyeva. David Potter. I am, however, equally interested in how Nabokov is read more generally, and argue against some of the worst habits of Nabokov scholarship to date. Time flows strangely in Ada. Instead of a one-way march towards the future, it behaves more like a tidal river, with events from all over the timeline paramnesically rippling backwards and forwards. She often manifests despite, and at odds with, what Van as our narrator thinks is most important.
Dwight Yates. In this paper, I explore the ways in which Vladimir Nabokov incorporates different literary genres in his novel Ada or Ardor by analyzing the different elements and the examples of the literary genres identified in the narrative. Violeta Stojmenovic. It loses its referential function and serves as a nostalgic and metatextual commentary, as well as a means of shifting from representation of specific cultural phenomena to representations of representations.
Marijeta Bozovic. Lara Delage-Toriel. Tamas Benyei. Juliette Taylor-Batty. The article examines a selection of translations carried out by the central protagonists of the novel, Van and Ada Veen. The article relates those instances of explicit mistranslation to the overall style of the novel, arguing that problems of interlingual transfer and communication are intrinsic to the multilingual aesthetic of the novel as a whole. Log in with Facebook Log in with Google. Remember me on this computer.
Enter the email address you signed up with and we'll email you a reset link. Need an account? Click here to sign up. Download Free PDF. Bulent Ipek. Related Papers. Ardor or Ada? Nabokov's Ada and the texture of time. Brian Boyd and Marijeta Bozovic. Northwestern University Press, Brushing through « veiled values and translucent undertones ». Neohelicon The art of deception: Vladimir Nabokov'sAda.