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His childhood in Vicksburg was characterized by extreme poverty and extreme racism. Hinton moved with his extended family to Chicago, Illinois in the fall of , which opened up a new horizon of opportunity for him. Milt received his first instrument — a violin — in for his thirteenth birthday. Clark Smith. He soon transitioned from peck horn to bass saxophone and then to tuba, while also being accepted into the city-wide brass band sponsored by the Chicago Defender , where he played alongside Lionel Hampton.
After graduating from high school, Hinton attended Crane Junior College for two years, during which time he began receiving regular work as a freelance musician around Chicago.
His first steady job began in the spring of , playing tuba and later double bass in the band of pianist Tiny Parham. He received steady work from through in a quartet with violinist Eddie South, including extended residencies in California, Chicago, and Detroit. It was with this group that Milt first recorded on double bass in the spring of In , Milt joined the Cab Calloway Orchestra, initially as a temporary replacement for Al Morgan while the band was on tour en route to a six-month residency at the newly opened midtown location of the Cotton Club in New York City.
Milt quickly found acceptance among the band members, and he ended up staying with Calloway for over fifteen years. Until the Cotton Club closed in , the Calloway band would perform there for up to six months per year, going on various tours for the remaining six months of the year. Hinton credits Chu Berry with elevating the overall musicianship of the Calloway band in part by encouraging Cab to hire arrangers such as Benny Carter to create new arrangements that would challenge the musicians.
