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It was characterized by its heavy use of ironic despair, that verged on nihilism, and unfortunate bass tone. Noise Rock was an urban phenomenon, with most of its prominent artists coming from or, more likely, or settling in cities like, in particular, Minneapolis, New York City, Chicago, Osaka, and Austin.
Noise rock positioned itself as an art in opposition to both the small towns it fled from and to the cities it ended up in. At its worst, the genre was dumb, grunting hard rock, drained of sexuality, and unduly proud of its own grubbiness. At its best, it was…dumb, grunting hard rock, drained of sexuality, and unduly proud of its own grubbiness. That being said, noise rock had and has its charms. Or, as the aphorism incorrectly credited to Winston Churchill about democracy goes: noise rock was the worst form of alternative rock, except for all the others.
I like him just fine. Every essay about noise rock must begin with caveats, because people are cowards. But, you know, I try not to judge. Not me tho. For myself, noise rock categorization is as easy as noise rock pie. Simply put, noise rock is two things, and two things only:. And Sonic Youth is folk rock because they sound like Neil Young if Neil Young sang like he was doing us all a favor just by showing up.
By most accounts, depending who you ask, one or all of them are nice people. Maybe Sonic Youth are noise rock for people who have never rifled through the purse of someone they care about. So: not noise rock.
