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To browse Academia. Nishan Wijetunge. Following independence in , a Ceylonese elite contingent embarked on a nationalist political course by Attempts were made to address nationalism in the visual and performing arts striving for a national identity, where architecture too saw no exception. This nationalism was perpetuated into the s and beyond.
In a context where elitist architects propagated 'core'-oriented modes of domestic architectures, Ceylon's nascent middleclass employed non-architects who turned to postwar mass-housing in the United States for inspiration; the American 'tract house'. This phenomenon in Ceylon is said to have started in the s, and disappeared altogether right after neo liberal economic reforms of The aforesaid style is arguably, a hybrid that encapsulated the country's own vernacular, with a base of certain imported architectural traditions.
The study of this fascinating area and its underlying reasons for success will be a useful precedence to assess and theorize similar architectural movements to come in future.
Nihal Perera. Anoma Pieris. Ramesha Jayaneththi. Fashion in colonial society may be defined as a cultural, historical, social, and political phenomenon that is affected and influenced by colonial dominance, anti-colonial resistance, and decolonization processes. Following the demarcations of gender, class, and race in British colonial Sri Lanka, the colonizer's fashion and everyday clothing code altered dramatically.
