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Join the Verso Book Club! Opening in the Gwangju Commune, Human Acts unfurls in the crucible of the s student and worker-led democratic movement demanding an end to military rule. Thousands of Gwangju citizens amassed in the city square during the May uprising. In early , South Korea was a heap of dry tinder waiting for a spark. But the assassination was no victory for democracy. By May, Chun had used the excuse of rumoured North Korean infiltration to expand martial law to the entire country, closing universities, banning political activities, and further curtailing the freedom of the press.
After almost two decades of Park Chung-hee, South Korean citizens recognised a dictator when they saw one. Paratroopers were sent in to take over from the police, but their brutality against unarmed citizens resulted in a still greater turnout in support of the civil militias.
Together, they managed a brief respite during which the army retreated from the city centre. Shoot-outs, heroism, David and Goliath — this is the Gwangju Uprising as it has already been told in countless films, and a lesser writer might have been tempted to start with such superficially gripping tropes.
Han Kang starts with bodies. Piled up, reeking, unclaimed and thus unburied, they present both a logistical and an ontological dilemma. In Gwangju, part of the magnitude of the crime was that the violence done to these bodies, and the manner in which they had been dumped or hidden away, meant they were unable to be identified and given the proper burial rites by their families.
