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To browse Academia. Ivan Lozica. Lionel Arnaud. In the s, in a context of increased racial tensions and growing nationalist claims, the use of rhythms, instruments, and clothing associated with Africa among the black populations of England, Guadeloupe, and Martinique became part of a cultural and political repertoire aimed at resurrecting and denouncing a long history of subordination.
Similarly, the mobilization of carnival by Afro-Caribbean activists today can be considered as a tactical choice—that is to say, carnival has become part of the standardized, limited, context-dependent repertoires from which claim-making performances are drawn. I argue that Caribbean carnival has been subject to constant reinterpretations since the eighteenth century and Adeola Dewis.
I am interested in the evolution of this Carnival and the factors that allow it to resonate with some Caribbean people. The history of the island is directly connected to the history of the festival Piers Armstrong , Michaeline A Crichlow. Claire Tancons. Graham Badley. Vicki Ann Cremona. It announces the transnational connections that will be made in exploiting these themes.
Beverly J Stoeltje. Nicole Ferdinand. Unless another licence is stated on the immediately following page this work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.