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The model in the photograph resignedly holds the pose she has been instructed to adopt, her gaze downcast, and is similar to the Redhead in her passive, tired and self-absorbed attitude, which is her entire purpose. In the painting, the artist breathes life into her through the dynamic tension of her body, evident in her extended left hip, the tension of her slightly twisted thorax and her vivid gaze, animated by the asymmetrically positioned arms that meet behind her neck.
Her sexuality is conscious and active. With the intention of creating a realistic work, Sternen has recreated his working environment, although rather than faithfully following the photographic model, he has creatively enhanced the original, adapting the shape and layout of the space to his essential idea.
I hope, however, that I will eventually be able to leave my studies behind and embark on the creation of some larger, more complete work. Please wait Permanent Collection. Matej Sternen Verd, — Ljubljana, Female Nude with Raised Arms c. Counterlight, so exceptional in the tradition of western art, is one of the essential elements of his style. Looking at the sun through tree crowns creates a shaded and limited, intimate space in the foreground where lonely muses or bathing women appear.
In a very different way the world of a lonely middle-class woman is revealed by Matej Sternen. After the painter devised in ambitious formats a number of nudes and young women dressing or being engaged in some other intimate business. The skill of his brush speaks about sensual luxury and creates thoroughly convincing equivalence between the real and re-created worlds. In spite of his determination to withdraw from the ill-tempered attitude of the local scene, Ivan Grohar exhibited his painting Spring , the central piece in the above-mentioned exhibition, in the Sezession the following year under the title From My Homeland.
