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Imagine then that the women-led projects sweep all of the awards at the festival. For the annual festival, Fekete and a dramaturgy board curate the best contemporary drama from around Slovakia, offer an international focus, and host an academic conference.
All of the events were presented in Slovak or English, or translated into English or Slovak via supertitles or live translations. On the final evening of the festival when the awards were announced, the four award-winning productions were all directed by women. Their work celebrates and investigates their lives as mothers and women, from societal expectation to social media. And with Slovakia providing up to three years of maternity leave, perhaps this is a story that parents in the United States need to hear.
Audiences were intentionally crammed into the backstage area of Studio 12; echoing refugees packed on a ship, we sat shoulder-to-shoulder in the venue, surrounding a rectangular dirt pit where the action took place. The play is set during the Galacian migration of the s and follows the story of brother-and-sister Mendel and Rifka Beck, who are swept up in the promise of a better life in America, facilitated by the fictitious, titular Emperor.
When Mendel leaves for America, Rifka stays behind in the village, and we get a sense of how the women who remained stepped from a domestic role into a leadership role. The audience was close enough to notice anachronisms, such as an actor wearing sneakers, connecting the migrant crisis of years ago to today. To European audiences, this production must have spoken to the migrants crossing the Mediterranean, but through United States eyes it illuminated the humanity of those gathering at the southern American border, filled with need and vexed by the emperor.
