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Coleman's musical education began early. He was born Seymour Kaufman, the son of Russian immigrants, Max and Ida Kaufman; he grew up in a Bronx apartment house owned by his mother. As he later told it, one of the tenants moved out and left a piano behind. There were two free lessons and one she paid for. So I became a prodigy and played at Steinway Hall.
I even played Carnegie Hall at the age of seven. He went on to attend the High School of Music and Art as well as the New York College of Music, and he earned money by playing popular music in cocktail lounges and on the club circuit. He was irresistibly drawn to jazz and soon put all thoughts of a classical career behind him, although in later years he made many guest appearances with major ensembles, including the Detroit, Syracuse and Milwaukee symphony orchestras.
In the early 's Mr. Coleman met the lyricist Carolyn Leigh and began a collaboration that would lead them both to Broadway. Her lyrics perfectly matched Mr. Coleman's spiky, syncopated pop-jazz melodies, and they remain the ultimate musical distillation of sophisticated cocktail party banter of the period.
A majority of Mr. Coleman's finest songs came out of this partnership. After parting ways with Leigh due to constant bickering, he worked with Dorothy Fields, first on "Sweet Charity" and then on "Seesaw" Based on William Gibson's hit play, "Two for the Seesaw," the musical, written and staged by Michael Bennett and starring Ken Howard, Michele Lee and Tommy Tune, was the story of a brief romantic encounter between a Nebraska lawyer and a young dancer from the Bronx.
