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This year, we commemorated the centenary of the early death of Amedeo Modigliani. One of the most important Serbian artists of the twentieth century, he was prolific and innovative until his death in a wave of genocide during the Second World War.
In about , he returned to Serbia, then went back to Paris in late for over two years. Few of his paintings from his student and early days in Paris appear to have survived. Parisian Love from shows a young couple sat on a bench in the city of Paris, with a couple of modern motor taxis in the street behind them.
Her coat and skirt are very short, only reaching to her knees. That year, he started painting more ambitious figurative works, setting his figures in outdoor locations. These four women have come to bathe and lunch by the bank of a river, seen through the arch of a bridge. Three are still naked after their swim, one at the top left towelling herself dry, but the fourth at the lower right remains dressed. Drunken Boat, also from , is the finished version of an unusual motif which he had previously painted as a study.
Six figures are in a tiny sailing boat in a rough sea, drinking and eating a rather different lunch. Two naked women have their arms around one yachtsman. In the foreground, the sixth figure is wearing a long bathing costume and of indetermine gender. This Nude Woman from is one of the last he painted in the city. During the s, he concentrated on local landscapes, and the occasional nude. Village House from shows his love of brilliant colours and thick impasto, which is unfortunately not ageing well judging by the cracks visible here.
