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By David Rooney. Chief Film Critic. The true story of British adult magazine publisher and entrepreneur Paul Raymond. A modern day King Midas story, Raymond became one of the richest men in Britain at the cost of losing those closest to him. The impresario behind a lucrative empire of strip clubs, soft porn magazines and real estate, Paul Raymond is brought to life with droll humor by Steve Coogan in The Look of Love. The film kicks off on a promising note with a fun title sequence that has colorful sex-kitten cutouts gliding by to a foot-tapping mambo tune.
However, Winterbottom and screenwriter Matt Greenhalgh have trouble establishing a functional framing device. He watches a video recording of a TV profile, its voiceover narration helping to provide a recap of his early career.
But this image of an entrepreneur with a magic touch, who lost everyone he ever loved, never comes satisfyingly into focus. Much of it is frisky and entertaining, however, especially in the pioneering years, blossoming from black and white into vibrant color.
A self-invented man from humble roots in Liverpool, Raymond circumvented British laws concerning public displays of nudity. His initial experiments included the grandly named Cirque Nu de Paris, featuring his wife Jean Anna Friel topless in a lion-tamer act. But his money-spinning breakthrough came with the opening in of the members-only Revuebar, showcasing elaborately themed nude spectacles.