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There is a state of mind which is almost impossible to describe and which can rather only be individually experienced: the state of the highest brightness and consciousness when at the same time the external bodily features do not seem to express this. Immersed in the internal world, the brain is producing phantoms and floating thoughts liberated from being formulated or shared. It directs the human being into the space either on the edge of or even outside social entanglements.
In a conversation we had just a few months ago, Monika Weiss said, "The boundary between presence and absence is very fluid. This meticulous perseverance and extension in time allows us to face and partly experience this very verge of awareness and aloofness, the situation of being here and being there. If time could be wounded, the space for this kind of existence would rest in this wound: the wound of the profound split between calmness and anxiety, between longing and chosen loneliness, between unexpressed desire and staged public appearance.
Asking myself about the most important features of Monika Weiss's art, I understood that its core is based on finding her own mode to display the performing body and art as a process, while maintaining a mixture of methods of representation and documentation.
There are several, overlapping and inter-textually corresponding, layers of how the body is exposed and represented. It is a very specific going or - according to its features - crawling from the mobile to the frozen state of the body and back again.