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To browse Academia. However, nowadays, the place coexists with serious social issues and the absence of public regeneration policies contributes to the devaluation of its history and culture, generating a vicious circle of degradation and abandonment. A careful listening to the problems, desires and the imaginary of the community had a special relevance for the articulation of theoretical and practical actions, resulting in the production of collages, mixing Lagoinha of yesterday and today with individual and collective memories.
The identification and valorization of these elements has sought to reveal subjectivities and different ways of assigning meanings to the territory, as a form of narrating and divulging life and territory stories, the group has chosen to create a product from the produced collages: a set of postcards.
Thus, in the article we will highlight the theoretical-projectual pathway, mediated by tools of design and art education as socially engaged practices for reinventing territories. Paula Pinto. Joana Braga. Women have created alternative means of registering their own personal, as well as social, collective memories and subjectivities in handcrafted, embroidered and other artisanal technique female narratives.
The 'embroidery community' of elderly women in the Lagoinha Complex, a socially troubled urban area in Belo Horizonte, Brazil, has shown an authentic resilient attitude against historical oppressions, such as discrimination related to gender, ethnicity, education, social class, and ageism.
