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TSQ Toronto Slavic Annual Arkadii Shteinvberg. The second way. Roman Timenchik. Anna Akhmatova in 60s. Le Studio Franco-Russe. Two men who said they were looking for "soap made of human fat" smashed windows and beat a guard at a Jewish History Museum in Romania yesterday.
The men entered the museum at a. They asked museum guide Beatrice Stambler, 78, "Where is the soap made of human fat? Is there any Auschwitz soap? The attackers smashed windows and threw objects before fleeing. Stambler and Grecu, whose throat was bruised, were in shock for several hours. There were no other witnesses. Sorin Iulian, secretary-general of the federation of Jewish communities, called the attack "an unprecedented act of hooliganism, with anti-Semitic tones. As well, it deals with some still controversial aspects of the historical "normalization" of the Soviet and Nazi systems in the aftermath of World War II.
Yet as a literary work of the imagination, it in no way offers answers to the controversies surrounding the ideologies of those systems, ideologies whose demise was lived out as nowhere else in the violent break-up of the century's miscarried child, Yugoslavia, in the last decade of the millennium.
This is a play about the fate of an archetypal orphan of the century, a small, lone person whose life was defined by the Holocaust and who outlived it. The historical Holocaust is the theme of the piece, but its topic is fascism. Zidovi smrti , , which continues the exploration of the totalitarian twentieth century in Europe that she began in her earlier prose works, particularly in Canzone di guerra. New Battle Songs Canzone di guerra. Nove davorije , Clearly she is informed by Adorno, Arendt, Semprun and Levi in her effort to contribute to a conscious, critical clearing up the nation's past, to show how one can work through very difficult material by public critical self-reflection.
