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The nerve-shredding sequence in which eco-warriors played by Jesse Eisenberg, Dakota Fanning and Peter Sarsgaard carry out the mission at night builds Hitchcockian suspense before pivoting to reflective distance by registering the explosion only as far-off noise. I could happily have gone with his panoramic neo-Western, Lone Star , about an investigation that unearths a history of racial violence in a Texas border town.
But this similarly epic-canvas drama about a fictional New Jersey city where idealism is dead or dying, leaving only corruption, greed, moral decay and despair, is perhaps more in need of rediscovery.
With supple rhythms and unerring control and clarity, the director tracks some 36 significant interconnected characters, among them fat cats and disenfranchised minorities, a shady mayor, property developers, a drug dealer, a volatile cop, his abused former wife and a reformist Black councilman whose every effort to help his community hits a wall.
Sayles takes on a choice role himself, playing a sleazy auto shop owner with a sideline organizing small-time crimes. Five years before marriage equality was signed into federal law, as debate continued to simmer around the subject and political resistance in many states remained staunch, Lisa Cholodenko did something quietly radical. She normalized same-sex marriage and parenthood by casting Annette Bening and Julianne Moore as lesbian spouses dealing with issues eminently relatable for any heterosexual couple — in their own often tetchy relationship and in their adjustment to the growing independence of their teenage children, played with aching realness by Mia Wasikowska and Josh Hutcherson.
