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Even the most ardent fans of the impressionistic, astral jazz-rap of Digable Planets couldn't have possibly predicted Butterfly's later metamorphosis.
Dystopian yet idealistic, fly yet conscious, Black Up is experimental — sometimes even profoundly unmusical — and immersive. Butler's lyrics come in a variety of rhythms: clipped, bouncy, staggered, fluid, choppy. Inanimate objects litter the floors of every scene, whether discarded by kings or by materialistic paupers looking for the next shiny, new thing.
It's an enormous record which resists easy categorization, unless you're willing to see it for what it is: Hip-hop music's equivalent to Radiohead's Kid A. Stepping ever-so-slightly away from the florid singles leading the charge of their Sub Pop debut Nouns , "Glitter" represents No Age at their most grayscale. With heavily processed handclaps augmenting an outsized arena-rock beat, the Los Angeles duo remain marvelous at creating texture, trading their colorful, bright distortion for guitars which sound like the snow from a television screen without a signal and squealing power drills.
Despite the industrial music vibe and Dean Spunt's low, monotone vocals, the music sounds like it's ascending; No Age can't help but make hopeful noise. On the B-side of the seven-inch is "Influorescence," one of those classic breakup songs perfect for playing at full volume on the open road. Look, even in the distant past of , people have been trying to compartmentalize all of their content. How sweet of them. In the case of Scottish post-rock all stars Mogwai, you make one of the biggest albums of your career.
