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The Vitagraph Company of America, Courtesy of Bison Archives. This project began just after the centennial celebration of the motion picture, during a distinct turn to historiography in the field, and in the light of intriguing new evidence that continues to surface.
We set out to prove that women were not just screen actresses in the silent era, in the two decades before the advent of synchronized sound motion pictures.
Carrying over the impetus from the s, we looked first for evidence that they had worked as directors but in the process we found that they had been not just directors. In her groundbreaking business history of women filmmakers in the silent era, Karen Mahar adds the colorist and the film joiner as well as the supervisor and the executive producer to this list. In the first decade, however, some departments became exclusively organized along gender lines, with editing or joining being the most visibly gendered work.
Yet the most comprehensive overview of the industry, Business Woman, in listed twenty-nine different jobs that women held in addition to actress , including that of typist, stenographer, secretary to the stars and executive secretary, telephone operator, hairdresser, seamstress, costume designer, milliner, reader, script girl, scenarist, cutter, film retoucher, film splicer, laboratory worker, set designer and set dresser, librarian, artist, title writer, publicity writer, plasterer molder, casting director, musician, film editor, department manager, director, and producer.