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To browse Academia. The Walt Disney Company wants more inclusiveness by the end of , as a result of which they have introduced more non-Western and feminist heroes to the silver screen. The representation of villains has, thus far, been overlooked. A cross-period content analysis approach was chosen, where 15 classic Disney films were compared to 15 modern Disney films. The hero and the villain are no longer two extremes that stand opposite each other, as the villain has become more relatable and less ugly whereas the hero has become more flawed and less traditionally beautiful.
As of yet, Disney has not achieved their goal of inclusiveness. Recent films still promote the anti-feminist sentiment that women who step outside of their gender boundaries are evil, and the existence of queer-coded characters is linked to fascism. If Disney wants to achieve inclusiveness, feminist and non-Western heroes are not enough.
Disney needs to reflect on how they present the villain in the story. Log in with Facebook Log in with Google. Remember me on this computer. Enter the email address you signed up with and we'll email you a reset link.
Need an account? Click here to sign up. Download Free PDF. The Villain's Journey: an evaluative content analysis of the chronological evolution of 'Otherness' in the villains of Disney movies which adhere to the Hero's Journey narrative structure.