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You have full access to this open access article. States have captured the imagination of international legal scholars, to the extent that for a variety of non-state actors NSAs , statehood may appear to be the ultimate prize. Footnote 1 States have indeed captured the imagination, to the extent that for a variety of NSAs, statehood may appear to be the ultimate prize, the nec plus ultra of being taken seriously in the international community. In this contribution, I focus in particular on organized non-state collectivities, such as non-governmental organizations, corporations, and armed groups.
I pay only marginal attention to individuals and intergovernmental organizations. Hero worship is not unique to the law. It speaks to a deep human desire to identify one entity, or one person, as a saviour of sorts, who can cope with a variety of challenges and can serve as a role model for us all.
The epic of international law obviously casts the state as the hero and minimizes—at least in its traditional incarnation—the contributions of NSAs. The epic was the dominant literary style in earlier times. This speaks to a reality of pluralism , with a number of rather different actors playing their part in the story. Footnote 4 Bakhtin has proved quite influential in semiotics, anthropology and communication studies.
However, recently his work has also been discovered by scholars of law and governance, most notably by Mariana Valverde, a critical theorist of scale and temporality who recently published the Bakhtin-inspired Chronotopes of the Law. Footnote 5 Valverde makes, inter alia , the point that the law, including international law, is a monoglossia centred around the state and that it is the task of the critical scholar to debunk myths of the state, and to find space for non-state counter-narratives, or heteroglossia.
