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But that is not the only story. Her nomination is one of 10 for Roma, including best picture and supporting actress for Marina de Tavira. With the adulation also came the hate. Even before the movie began showing on the popular streaming service Netflix in December, Aparicio become a target of racist attacks online.
While it initially upset her, she is now focused on the scores who have called her a role model and sent fan art. To prepare for filming, Cuaron had asked Aparicio to improvise scenes. He was amazed at how quickly she improvised. And she did it in a very kind of detailed way. For Roma, the actors were not given a script or even a story arc. Aparicio became so invested in her role that when tragedy strikes her character, she suffers with agonising realism.
Named after a district located in the Cuauhtemoc borough of Mexico City where it is set, the film belongs to Aparicio. Her character displays an extraordinary empathy — with the children she nannies, their sometimes distraught mother or with her own lover, seen bizarrely demonstrating his martial arts skills in the nude.
She is both childlike and prematurely aged; there is a lightness to her soul, yet her body is already stooped by the burden of work. Before she signed up for Roma, she had hoped that her teaching degree would provide an escape from poverty — for her and her mother. She was my role model. As a nanny, she reflects how a mother loves the children in her care with the same passion as she does her own children.
