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Merle Haggard doesn't want to tell his story anymore. The pain they haven't felt. And if he should be persuaded to share himself one more time But it hurts. On the third morning I've made my way to the modest hillside house in the idyllic Northern California countryside near Lake Shasta, where he lives on acres with his fifth wife, Theresa, and two teenage children, it turns out that he has tried to cancel my visit, but the message hasn't reached me.
He invites me in anyway. It's too emotional. When you ask about a man's leg and then you ask about his dick It's deeper than that Fuck, yesterday evening when I got done, man, I felt like I'd fucking been in jail again.
This fall Merle will release a new album. I don't think anybody is quite sure how many have come before it; his first came out in , and by he was already releasing the thirtieth called, with delightful insouciance, Merle Haggard Presents His 30th Album. Within them, he has laid down one of the last great living catalogs of country-music songs that did perhaps the hardest and most wonderful thing a song can do—join together a handful of simple, commonplace words in a way that somehow makes them new and true and eternal, their wisdom and poetry hidden in plain sight.
Not all of his greatest songs dealt with troubles—he has written with majesty about love and dignity and gratitude and pride and standing up for what you believe in—but trouble and heartache certainly felt like his most natural neighborhoods: how life is hard, how hearts break easier than they mend, and how it sometimes seems as though everything but loneliness will abandon you, of anger looking for its rightful home, of wanting to stay but knowing there's something just as deep within a certain kind of man that forever tugs at him to leave.