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Senior Editor, ARTnews. The trace left behind is a barely there, seemingly sweaty self-portrait of sorts. His works on view at Zona Maco pair vibrant primary colors with cracked earth, representing the adobe vernacular architecture of the Panamanian countryside where Merel grew up and is still based part-time. She then translates those photographs into rough-hewn paintings, which are followed by paintings of her nude body. This visual intervention in the austere whiteness of the sculptures acts as a symbolic intervention in both the art world and the world writ large, where what is considered the official history has long been pristine and white.
The aesthetic of these works is intentionally disarming. Segovia has long been obsessed with painting tightly cropped details of film stills, printouts of which often hang in his studio for several months. Set against a vibrant blue background, Angel Eyes, whose right ear is rendered in shocking pink, first has his back to us, then in a quarter turn, and finally facing with a look of disgust.
Rendered in unnatural tones, the outer works, titled Impulso II and Impulso I , each show two figures with their bodies intertwined, as if they are wrestling. The center work, Resguardo de la memoria Memory protection , shows a woman passing through a doorway as she appears to dry herself with a towel. All the works evoke a certain nostalgia.
Barquet has stripped the wood from these chairs and painted them with lacquer. His work often looks at the cycle of storms, how they can start out small, grow large, and then contract. After a storm, Barquet, seems to ask, what wreckage is left? How has the land been transformed? Commanding a wall here, and facing a sculpture by Alicja Kwade, is a stunning untitled painting from All Rights Reserved.
