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To browse Academia. This dissertation analyzes a complex and multifaceted Huastecan identity that is created and performed at encuentros huapangueros and how it relates to pluri-multicultural politics and policies of folklore in Mexico, through El Programa de Desarrollo Cultural de la Huasteca hereafter referred to as the PDCH.
By comparing their staged performances at the festival with informal performances—both in their home communities and in informal settings in and around the festival—I analyze how the agency of musicians combines with cultural policy to transmit local and regional practices associated with son huasteco to new generations through their performances. Other scholars examine how local music and dance are reformed by nationalists and cosmopolitans Turino ; Mendoza However, my research analyzes performance in these participatory encuentros as moments when son huasteco musicians exert their agency in selecting which aspects of local musical and culture they will give to the region and nation.
They also decide which local practices they will keep, and which regional and other trans-local practices they will make their own. While these performances create ties between diverse Huastecan communities, the political process of folklorization and the performances of individual musicians also mark important differences among musicians and other participants along the lines of ethnicity, class and gender. My analysis adds to the understanding of sustainable development of musical patrimony through government policy, the use of local and regional music and dance to empower youth, as well as how the intersections of gender, race and ethnicity impact the performance of music and identity in participatory huapangos in Mexico.
Raquel Paraiso. Social changes in Mexico during the beginning of the second half of the twentieth century — such as rapid population growth, migra- tion to urban centers and the United States, and changes in general living conditions — contributed to a deterioration of social contexts and conditions for the performance of traditional music.
