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To browse Academia. Justine Ettler. Anindya Sundar Polley. Berthold Schoene. Marco Abel. Christian Kloeckner. Constantly shifting between different levels of fictionality, Glamorama portrays the terrorist as a self that has become its own mediatized, violent Other in the self-destructive, total space of capitalism. Bowdoin Journal of Cinema , Christine Rosa. Upon its release, notable feminists such as Gloria Steinem opposed the depicted violence towards women, and the graphic content was so disturbing that several countries established restrictions for acquiring the book.
This paper investigates the factors contributing to the success of the film and its enduring popularity with viewers and scholars alike, despite tackling such provocative material. The film places society under the microscope as much as the deplorable murderer at the center of its storyline, revealing the abhorrent reality of a world in which the appearance of success is more important than the conveyance of something real. In this depiction of New York City during the late s, consumerism, superficiality, and societal expectations reign supreme, and Harron displays this worship of artificiality in shot after shot illuminating the lifestyle of the uber-rich.
This critique of American culture endures into modern- day, and the palpable truth surrounding our collective warped sense of prioritization ensures its relevance. Like all good satires, American Psycho has valuable lessons to impart.
It goes beyond condemnation of the shortcomings of society through dark comedy, however, to a genuinely thoughtful exploration of a human mind cultivated within an ethos of insincerity. What the viewers are left with is a deeply personal character study which forces them to empathize with a murderous psychopath trapped within a state of alienation and anonymity and desperate for something real.
