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To browse Academia. Keep it simple, make it fast! Paula Guerra , Keep it simple, make it fast! This initiative follows the great success of the two first KISMIF Conference editions held in and , seeking to voice the will of the many researchers who have sought to promote an annual scientific meeting for the discussion of underground music scenes and do-it-yourself culture at the highest level.
We hope with this to enrich the underground scenes and DIY cultures analysis by producing innovative social theory on various spheres and levels, as well as focusing on the role of DIY culture in late modernity. Indeed, the role of music and DIY cultures is once more an important question — taking place in a world of piecemealed yet ever-present change. The space, spaces, places, borders, zones of DIY music scenes are critical variables in approaching contemporary cultures, their sounds, their practices artistic, cultural, economic and social , their actors and their contexts.
Territorialization and deterritorialization are indelible marks of the artistic and musical scenes in the present; they are related to immediate cosmopolitanisms, to conflicting diasporas, new power relations, gender and ethnicity. As in previous KISMIF Conferences, it is our intention to welcome reflexive contributions which consider the plurality that DIY cultural practices demonstrate in various cultural, artistic and creative fields and to move beyond music in considering artistic fields like film and video, graffiti and street art, the theatre and the performing arts, literature and poetry, radio, programming and editing, graphic design, illustration, cartoon and comics, as well as others.
David Farrow. Mike Dines , Alastair Gordon. Convened by Andy Bennett and Paula Guerra the conference, accompanied by the pre-emptive Summer School, was a week-long event with core themes revolving around the many global underground scenes and drawing upon an impressive international range of established subcultural scholars and postgraduate researchers.