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To browse Academia. Isabel Guerrero. The Everybody's Shakespeare festival , the Complete Works Festival and the Globe to Globe are part of the tradition of celebrating Shakespeare on occasions unconnected to the author, as was also the case of the Shakespeare's Jubilee back in More significantly, the three festivals also have in common the inclusion of Shakespearean productions in languages other than English, engaging with the academic debate on global Shakespeare.
By looking at the characteristics of these festivals and at the academic output they generated, the purpose of this article is to trace the evolution of Shakespeare festivals in England to convey an image of global Shakespeare. Tiffany Stern. It argues that the versions of Shakespeare that have come down to us have inevitably been formed by the contexts from which they emerged, being shaped by, for example, the way actors received and responded to their lines, the props and music used in the theatre, or the continual revision of plays by the playhouses and printers.
Allowing a fuller understanding of the texts we read and perform, Making Shakespeare is the perfect introduction to issues of stage and page. Derek Dunne. Alexa Alice Joubin. It is a collaborative project that presents information about more than three hundred productions, shorter or longer videos e. It is a work in progress. Margreta de Grazia. James Tink. Yet over time the bibliography seminar lost its privileged position, though seminars on that crucial theme are proposed and run most years.
The theatre history seminar, however, has remained a fixture ever since. What makes the history of performance of permanent interest in the changing field of Shakespeare studies? Florence March. This article considers two relatively new European Shakespeare festivals, Nice and York, both of which had their first season in The biennial York International Shakespeare Festival celebrated its first season in , with its next season planned for What are digital video's functions?