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To browse Academia. Birth was one of the most magical, miraculous, and blessed events of post-paleolithic spirituality. The Mesolithic - Early Neolithic rock art paintings of the Ranaldi Shelter Southern Italy give distinct visual evidence to a universal subject: the woman during childbirth and the wild animal which, given the context data, is the adult male red deer. The pivotal personage of the drama, Mother Ranaldi, shares her iconographic canon with the Goddess of Childbirth in prehistoric art.
She is a majestic, naked, corpulent and fertile anthropomorph who is delivering a new life between her generous thighs. Mother Ranaldi is birthing flanked by two adult stags which she touches with her sacred hands. They are not ordinary animals.
Their supernatural nature is described by three features: exaggerated unnatural antlers, clear epiphanic seasonal nature, and bicephalism.
They were symbol of wor Marco Merlini. The stylistic canon of the steatopygic Upside-down Double Goddess giving birth has its roots in the Upper Paleolithic of Western Europe.