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Conann reworks the mythic barbarian tale, turning it into a saga of a female warrior that spans decades and features different actors playing the titular role. Anyone expecting a remake of Conan The Barbarian , the actioner that helped make Arnold Schwarzenegger a star, will be disappointed, although this cheeky riff on Robert E. As a teenager Claire Duburcq , Conann is a slave cruelly owned by the evil Sanja Julia Riedler , but in later years she breaks free of Sanja.
The Conann role is then portrayed by a rotating cast of performers, with Rainer and Sanja always appearing alongside her, even as eras and locations change. The micro-budget film makes the most of its modest resources, with Anna Le Mouel crafting vivid handcrafted environments which range from dreamy underworlds to cold s-era cityscapes. Cinematographer Nicolas Eveilleau shoots in 35mm, often in black and white, with the occasional splashes of colour to emphasise the shock of something Mandico has thrown up there on the screen.
And the prosthesis used to transform Lowensohn into this dog-like creature is eerily impressive. As an indication of his gonzo style, Mandico includes a playfully gratuitous close-up of two tongues darting back and forth during one of their kisses.
Conann is an invitation to put decorum aside and savour a trippy filmmaker with an appetite for cult-classic cinema and transgressive art. In segments, the picture can be liberating in its unapologetic strangeness, refusing to be beholden to traditional narrative structure and relishing its delightfully dippy dialogue. Please note, however, that particular moment is probably only the fifth-most-disturbing in the film — which, depending on your temperament, will either be a warning or an enticement.
