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She was described by Gustave Geffroy in as one of "les trois grandes dames" of Impressionism alongside Marie Bracquemond and Mary Cassatt. In , she exhibited for the first time in the highly esteemed Salon de Paris. It was held at the studio of the photographer Nadar. Morisot was born in Bourges, France, into an affluent bourgeois family. The family moved to Paris in , when Morisot was a child. It was common practice for daughters of bourgeois families to receive art education, so Berthe and her sisters Yves and Edma were taught privately by Geoffroy-Alphonse Chocarne and Joseph Guichard.
In Guichard introduced Berthe and Edma to the Louvre gallery where they could learn by looking, and from they learned by copying paintings. He also introduced them to the works of Gavarni. As art students, Berthe and Edma worked closely together until Edma married Adolphe Pontillon, a naval officer, moved to Cherbourg, had children, and had less time to paint. Letters between the sisters show a loving relationship, underscored by Berthe's regret at the distance between them and Edma's withdrawal from painting.
Edma wholeheartedly supported Berthe's continued work and their families always remained close. Morisot registered as a copyist at the Louvre where she befriended other artists and teachers including Camille Corot, the pivotal landscape painter of the Barbizon School who also excelled in figure painting. In , under Corot's influence she took up the plein air outdoors method of working.
By she was studying under Achille Oudinot, another Barbizon painter. Morisot's first appearance in the Salon de Paris came at the age of twenty-three in , with the acceptance of two landscape paintings.