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Opening Saturday, February 11, 6—8pm:. The films of Adam Curtis—a BBC journalist by vocation, but a filmmaker and information archeologist in practice—appear as conspiracy theories wrapped in historical facts wrapped in social desires. These films remind us that dominant historical narratives are not only subject to rewriting but also sites of intense confusion, ideology, and intrigue. Also in the issue, Hito Steyerl concludes a three-part trilogy of texts with a close look at image spam as de facto portraiture.
What do these images do to the humans they portray, and how do their floating signs form a negative image that effectively serves to repel their audience? The conference deals broadly with the problem of division, and more specifically with how it relates to three domains: sexuality and sexual difference, antagonism in politics, and negativity in ontology. Different ways of thinking division, rupture, lack, and void are what is stake in these various presentations, with two main theoretical references.
Each participant presented two papers, allowing for an opportunity to re-articulate and re-envision several of the crucial elements of the ambitious project.
Hans Ulrich Obrist—In Conversation with Adam Curtis, Part I I think the way forward is somehow to make it emotional, to rediscover the idea of transcending yourself and joining together with other people.