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They were right. Not just any band, location and experience either. Did you even know there were so many sections of this musical brand? When the strong Philharmonia Chorus rose and sat en masse it was magical watching them converse with the Film Orchestras strings, percussion, bass and synthesizers to recreate the film soundtrack. You may imagine that it would be difficult to view a movie and give equal acknowledgment to a live orchestra simultaneously, but its not distracting at all.
If anything it adds to the whole enchanting vibe. The live orchestra- seated en masse beneath the humongous screen — make the movie so much more dramatic and haunting as they raise their respective instruments to the conductors command as the drama unfolds. You really appreciate the composition of the sound track so much more and sit in awe of the two genres synergy playing out before your eyes.
It also makes you focus more on what the film would sound like without the live music soundtrack as the film audio is turned down slightly with subtitles on screen whilst the music levels are much higher. It puts the talent of the soundtrack composers into real perspective. Every emotional wave that you are carried upon is driven not just by the storyline and acting but really steered and lead by the purity and immediacy of the music. The music was scored by the legend Hans Zimmer and Lisa Gerrard.
The lavish experience of watching one of the most expensive films of all time with over fellow fans of the creative arts, all dressed to the nines, at such a fancy venue also adds to the very rich cultural occasion. Also, the story of a general who became a slave, and a slave who became a gladiator played out onscreen in the round Roman Colosseum, was complimented by the fact that we were also experiencing the storyline in another regal, opulent venue — the Royal Albert Hall, with its cascades of balconies and in-the-round setting.