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Keywords : Kyrgyzstan, ethnomusicology, music, globalization, folklore, Central Asia, music education, urbanization. Abstract : The principal aim of this paper is to define Kyrgyz music in Kyrgyzstan ethnomusicology in order to assess whether the traditional Kyrgyz music has an essential impact on the identity of the Kyrgyz people and, if so, how does this impact manifest itself. In order to assess the impacts during research, the author was concerned with the influence of urbanization, globalization on processes related to music, the preference of either traditional or modern music, and how music is perceived in a cross-generational perspective.
Furthermore, the thesis focuses on related phenomena including folk music instruments of the Kyrgyz or the Kyrgyz storytellers and musicians, who call themselves aqyns and manaschi. Additionally, the relationship of the national pride and music or the most common forms of music education of children and adolescents and its financial and spatial availability are being explored and scrutinized.
The unifying theme of this thesis is music in everyday life of the Kyrgyz. The research includes a questionnaire, overt participant observation, and semi-structured interviews. The main aim of this study is to define Kyrgyz music in Kyrgyzstan in ethnomusicological terms and to find out whether traditional Kyrgyz music has a significant influence on the identity of the Kyrgyz people or how it manifests itself.
A topic that arouses much less passion than, say, politics can be used to describe a number of other interesting areas. What is the impact of globalisation on Kyrgyz music?