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This monograph is devoted to Polish cinema and its reflection in the mirror of Soviet and Russian film criticism. The appendices also provide attendance data for Polish films in Polish and Soviet film distribution. Album polski: notatki o kinie. Moscow: Informacja dla wszystkich, Fedorov A.
Polish Album: Movies Notes. Moscow: "Information for all", Reviewers: Prof. Usenko, Prof. Fedorov, Alexander Fedorov, — Fedorov, Alexander. This explains why it was in the s that not only dozens of articles, but also a series of books about Polish cinema were published in USSR Chernenko, ; Markulan, ; Rubanova, ; Sobolev, ; With the advent of cinematography in the s, there were fewer and fewer Polish films in the Soviet box office, and accordingly, the number of publications also decreased.
For example, books by I. Rubanova about the documentary cinema of Poland, about the work of Zgibniew Cybulski — and Andrzej Wajda — did not reach readers due to censorship obstacles see about this: Rubanova, The situation worsened even more in connection with the attempt of the Polish Solidarity movement to oppose the communist regime: many Polish filmmakers including A. Wajda, who supported Solidarity could not be mentioned in the Soviet press until perestroika times A short wave of revival of Soviet film studies about Polish movies came in the late s and early s.
It was at this time that they were finally able to write without fear of censorship bans and edits. And with the death of M. Chernenko — and R. Sobolev — , they began to write less and less about Polish cinema in Russia among the consistent film critics I will note I. Rubanova, D.
