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The swing youth in Nazi Germany were teenagers whose love for jazz and affinity for British and American pop culture stood in stark contrast to German nationalism, uniformity, and military regulation. In I lived in Vienna, Austria and had discovered the local swing music scene. He explained that there were groups of young men and women in Vienna during the Nazi years who would meet in private, dance to American swing music, and opposed the harsh Nazi reality with their behavior and dress.
I was intrigued. Who were these young people? While not a huge box office success, the film influenced the swing revival of the late 90s and early s by telling the fictionalized story of a group of teenagers in Nazi Germany. What they had in common was a love for jazz and an affinity for British and American pop culture which stood in stark contrast to the enforced Nazi culture of German nationalism, uniformity, and military regulation. The uniformity and military style of the Hitler Youth the Swing kids detested.
Jazz as a musical form appeared in Germany in the s and, as was true globally, became popular as the soundtrack of the Roaring 20s. As the social and political atmosphere grew darker in the s, the new widely popular form of jazz, swing music, made its way across the Atlantic. Swing was not proscribed by the Nazi regime initially. Restrictions on the music and its dissemination came gradually.
Broadcasting of jazz was forbidden as early as In the following years records of individual artists were banned; listening to non-German radio stations was criminalized. Orchestras had to follow strict rules like not exceeding 20 percent of the repertoire to jazz, and some areas outlawed swing dancing and dances. Swing music per se, however, was never completely outlawed. Propaganda Minister Goebbels knew that music was a necessity in keeping morale up.
