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The pointlessness of war portrayed in collages. Personal matters and history coincide in her search for the past. Instantly she thought of her own father who was a kamikaze pilot during the Second World War. He survived. On that fatal day in September the crude realization surfaced that she hardly knew anything about his experiences. The project, consisting of collages and interviews, is the core of her compact exhibition on a narrow gallery in the Museum of Modern Art in Arnhem. There, Sato knows how to keep the appalling pointlessness of war, death and decay in control in stylized collages Sato is mainly known for her large room filling installations, full of broken bricks or pieces of glass.
They express melancholy, and evoke a sense of destruction. Presently she lives in Nijmegen. She also recorded her own, somewhat trivial memories of her stay in the city in and She felt ignorant and lonely then. The anecdotes about the war are more poignant.
How for example the passageways below the underground station Gesundbrunnen served as an air-raid shelter, until there was not enough air left anymore and everybody had to get out again, whether there were bombardments or not. Pieces of cardboard are photocopied. The visual effect is that all rough sordidness that belongs to collages, is neatly brushed away.
And then it dawns on you: her occasionally almost graphic approach works as a soothing blanket preventing the art to scream the stereotypes of war, death and violence but telling it in a more subtle way.
