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J apanese style? Japan is all about aesthetic discipline and refinement: it is a tidy place where ordinary buildings are Zen compositions, where cities fit together as ingeniously as a GoBot, a place where restraint and respect for tradition rock gardens, ikebana, interior space denominated in tatami mats come naturally, where advertising aspires to art, where even the landscape seems well designed.
Japanese style? Japan is a wild hodgepodge of gimcracky downtowns and kitschy international design ideas mixed and mismatched, its capital a shrill, Blade Runner mess of traffic, shabby office buildings and meretricious Architectural Statements. Consumer products are bland or bizarre, and in graphics anything goes. Both visions of modern Japanese design are correct. Where on the one hand there is Tokyo, on the other there is Kyoto, the perfect religious city.
On street corners and in train stations are impeccably printed surreal posters that seem only incidentally to be advertising, but in the pages of magazines there is artsy typographical chaos. The familiar and the provocative, the traditional and the radical, the ascetic and the deluxe, the indigenous and the foreign — all coexist in contemporary Japanese design. But the dichotomies are no mere zero-sum stalemate, sensibility vs. There is meaning to this madness.
Masterly, highly original work is being produced by designers of all kinds. Maki, an architect who has lived and worked in the U. Indeed, Japanese design seems singularly, giddily unfettered.
