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To browse Academia. In her final novel, Between the Acts, Virginia Woolf placed the self within a national, historical narrative. This article considers why Virginia Woolf selected the Elizabethan era as a sartorial and psychological alternative to her present. In a study of both sixteenth- and twentieth-century dress, this article explores how the Renaissance may have posed a more malleable, self-assertive antidote to the pressures of modern fashion—and the systems it upheld.
Patricia Klindienst. Madeleine Seys. Rasheed Tazudeen. Danae Tankard. This article examines high fashion culture in late seventeenth-century London and Rye, focusing on the ways that Rye merchant, Samuel Jeake , and his wife, Elizabeth , engaged with the London fashion market at a time when the transmission of fashion styles was still primarily by word of mouth.
As we shall see, both Samuel and Elizabeth were intensely concerned to appear fashionable in provincial Rye. Correspondence between Samuel and Elizabeth and their London relatives shows how fashion information was being communicated between London and Rye and the speed with which clothing fashions changed in the capital. The discussion of Samuel and Elizabeth's engagement with fashion is framed by an analysis of contemporary satirical literature which takes the supposed obsession of the English with fashion as its theme.
Mary Corrigall. Mary Sibande has evolved the Sophie character that has defined her art practice — the domestic worker-cum-Victorian garment associated with her has grown in scale, becoming excessive.
