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The Lupanare brothel of Pompeii: The lupanar was the official brothel of Pompeii. As a trading town, it was visited every day by large numbers of people, especially traders from other towns. Phalluses engraved on the basalt road surface or on stones set into the facades of houses gave visitors clear indications on how to reach the brothel. We find explicit reference to the use to which this building was put, unlike many other brothels in the town there were probably 25 in all which were situated on the first floor above taverns and houses.
The lupanar had ten stone beds with mattresses, each bed set in its own small room. Five of these were found on the ground floor, while the larger rooms were situated on the first floor which could be reached by an independent entrance and a wooden staircase. The customers expressed their opinions on the brothel and the performance of the prostitutes by scratching them on the walls, as can be seen by the approximately examples of explicit graffiti.
Erotic scene from the House of Cecilio Giocondo in Pompeii : The great effects of the musculature of the man, the perspective of the composition, the chiaroscuro effects of the bodies, the care of the drapery of the sheet show that this fresco was not made by one of the usual painters of lupanare brothels of many pornographic paintings found in Pompeii, but it was realized by the same artist who made the paintings of III style on the walls of the same house.
Satyr and nymph, mosaic from Pompeii, House of the Faun VI, 12, 2 An identical replica found in Thmuis, near Alexandria, allows to assign to the Alexandrian sphere also this mosaic. Like in the painted small check of Satyr and Ermafrodito or in the Polifemo and Galatea, also in this one the erotic topic makes pretext for a composition played on the contrast between the roughness of the Satyr and the soft femininity of the Nymph. Remarkable the colouristic yield of the muscular masses on which the light plays.
