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Few things could have prepared me for meeting one of the last great chroniclers of the Holocaust. Bruck, originally born in Hungary, is now As she sat on one of two pristine white couches, she was relaxed, surrounded by photos documenting a prolific commercial and literary career, including work for the theater and television. I, however, was feeling a little anxious.
Sitting on the edge of the white couch opposite Bruck, I shuffled through my notes, hoping to ask her about certain passages that were proving tricky. But I quickly jettisoned that idea, and listened instead to whatever she chose to tell me in her authoritative, Hungarian-accented Italian. At the age of 12, she was deported with her family from T iszabercel, a tiny town near the border with Ukraine.
Her mother died at Auschwitz, probably immediately, and her father died at Dachau. A brother also perished. Edith and her sister were shuttled between several concentration camps, principally Auschwitz but also Bergen-Belsen, Christianstadt, and Dachau.
After the war, she settled in Rome and began writing in Italian, a language she uses as a buffer when accessing her most painful memories. Unlike many other women survivors who wrote about their experiences only late in life, Bruck began documenting her experiences almost immediately, and her nearness to the events is palpable. She composed her first manuscript, in Hungarian, not long after being liberated, but lost it as she restlessly moved from country to country.
