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I am finally back from Carnevale, and I am recovering from some flu, so I thought writing a bit about one of my latest costumes would have been a nice way to spend my time. I have seen some amazing work in the last years by Daze of Laur who has made some lovely venetian gowns. I wanted to make one of these gowns, but not just something from a random painting on pinterest, I wanted something linked to the territory I was born and raised in.
So what is represented is venetian end of the fashion, as intended by painters of the 18th century, so there are some things off from what an original dress would have looked like. But I tried to combine both. As you can see not all bodices had the front lacing, and the neckline is very low, scooped downwords instead than having an upward curve as fashion in other places of Europe and Italy. I rarely wear low necklines in my everyday life, but comprominsing the resemblance for fear of lifting some eyebrows is simply riddiculous.
Deal with it. As for the velvet gown. But it would not be that dress. If the original is low, mine will be too. I will not sexualize my Foreign Residence Amidala gown lowering the neckline or showing the legs, nor make naked versions of Disney princesses just because I want to show off some skin. I have worn mine without the inner shift the first time, as in the fresco, but I have made some parts that can give a more appropriate look. I hoped for a less red and more copper toned wig, but gingers and coppers are not common among commercial wigs.
Many think all of italians are dark haired. This is mostly true, dark hair are more common, but in my area lighter colors are not unusual. Even if it seems that venetian women used to sunbathe their hair in the rooftops of their palaces, soaked in urine to lighten the color, I doubt that they started from a very dark color to achieve in such bland way the strawberry blond color we can see in paintings and frescos.