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The film deals with Thomas's incestuous love for his sister, Mariana: After they arrive together in Tel Aviv-Yafo, after escaping from Migdal HaEmek due to the death of their Christian mother, Ewa, and setting up housekeeping in the sleazy side of town, Thomas makes his money as "kept man" for two different women who are nightclub entertainers at a bar filled with homosexual, deformed, and inebriated workers, Luna and Zara a.
Sarah Azulay. He first attempts to work at a hotel yet is fired upon being caught stealing supplies for Mariana and has to resort to a dirty shelter. Sergiu Valerie named "Apolonia Goldstein" a character based on Gila Goldstein who performed in a real-life bar called Bar 51 who allows the siblings to live at his apartment.
His unnatural love for his sister goes unexpressed, however, his jealousy cannot be controlled. If his sister wants to lead any sort of a normal life, it will be up to her to break her dependence on her brother and move on.
Journalist Yael Israel [ he ] favorably compared this film to the works of Rainer Werner Fassbinder and Martin Scorsese , [ 28 ] journalist Nachman Ingber [ he ] blasted the film for its lack of "style" though he nonetheless called it one of the great Israeli films of the s, [ 29 ] while journalist Daniel Warth also noted the similarities to Fassbinder and Pier Paolo Pasolini , yet claimed that these remained on the surface only, as this film lacked a "message".