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Posted in 01 What's A Map? A significant number of exhibits have opened since the book was published, and Denis supplies an update below. Long before the emergence of critical cartography in the s at the hands of Fels and Wood, Harley, Rundstrom, Pickles, etc. Artists attacked the map, mocked it, contested it, made fun of it, turned it into a joke, emptied it of meaning, erased it, distorted it, reconstructed it, and in the process revealed it for what it was, a human artifact — like a magazine advertisement for Cadillac or a billboard for Luck Strikes — albeit one with legal pretensions in the domain of borders from national borders all the way down to those of private property.
By the time the s rolled around map art was a rapidly growing phenomenon. One index to this was the ever-growing numbers of group shows devoted to map art and what follows is a catalogue of the map art shows that have come to our attention thanks to the sharp eyes of Lize Mogel and kanarinka especially.
A casual survey of the data suggests that Joyce Kozloff remains the most widely exhibited map artist but, especially with the continued travelling of Experimental Geography and the Atlas of Radical Cartography, Lize Mogel and Trevor Paglen are giving her a run for the money artists whose work is more varied would be hard to imagine.
The publication of Everything Sings was posted here at Makingmaps. Both Tracing the Portola and Infinite City were also released as broadside posters. How might we conceptualize these afterlives and effects of experiences, perceptions, processes, and events? Download the page, full-color catalogue at the web site. The show is accompanied by a richly illustrated catalogue. No catalogue. MarieE posted shots of the show at the URL above. It was accompanied by a page illustrated color catalogue, with an essay by Dr Harriet Hawkins and artist interviews by Paul Goodwin.
