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Irish hip-hop can be reasonably described as thriving. The sounds of Skepta blast from the speakers of a mid-size crossover SUV as God darts through the narrow streets in his impressive chariot, pointing out local landmarks where he and fellow narolane Records squad members, MuRli and Denise Chaila, have spent the last decade sharpening their technique. Pulling onto Henry Street, he directs attention to an apartment building. After delivering us to Kyle Street and the company of his longtime compadre MuRli, looking preppy today with his yellow sweatshirt and backpack, God shoots off to collect Chaila, the third principal of this particular three-headed monster.
Should you have a passing familiarity with Irish rap, you already know what happened after God Knows and MuRli graduated from Kyle House: the pair made their names as two-thirds of Rusangano Family, alongside producer mynameisjOhn. Lean in closely and you can see Chaila in the clip too, flexing in the background, waiting for her own career to launch. Five years later, the three tight-knit rappers sit down at a grubby table, half-shivering from the store-sized fridges, and with a small step ladder serving as a makeshift chair.
God fetches the tea. It all happened here. And a lot has changed in the last 10 or so years. With this growth has come a compelling side effect: a sense of regionalism.
Until recently, Irish rap has generally been viewed as a singular entity—not entirely surprising when you consider that the whole island has a population on par with a major American city.
