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Like much of the theatrical world, the Dublin Fringe Festival returned to the stage and online after a pandemic-imposed hiatus this year. Its return was a subdued one, with many of the works reflecting on the themes and issues which have dominated the last eighteen months. Loneliness and isolation, intimacy and connection; all featured heavily in the line-up of the festival. This is not surprising; human connection is the basis of all theatre and story-telling, after all.
But given the context of the preceding months, there was a particular poignancy to some of the work. Layered on top of this thematic poignancy, the function of the Fringe Festival to highlight small productions felt particularly apt. After a period in which many people spent their time talking to the walls, the lone voice on stage seemed to resonate with audiences in a way that was not as evident in earlier times.
The concepts of intimacy and how they are staged, both on-stage and in real life, form the backboneof Rescue Annie , a new work by Lauren Shannon Jones and Eoghan Carrick, performed on the Peacock Stage at The Abbey Theatre.
The production is slick, with engaging design and staging elements throughout. Using headphones in the audience allows for a particularly immersive auditory experience, bringing Lauren Shannon Jones closer to the spectators than they have been to other people in months.