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The comprehensive exhibition titled Forsaken World comprises works by the artist and his masters. Running until early March, it displays works from the collection of the Hungarian National Gallery as well as five foreign and eleven other Hungarian collections.
Hungarian and French art criticism regarded him as one of the foremost artists of the time, made unique among his contemporaries by his way of seeing, his pictorial world, technical sophistication, skill and experimental spirit. These are followed by pictures he made in his youth and at the front during WWI. The room displaying his early oil on canvas paintings — portraits of models and family members — leads on to the chapter presenting the least known compositions of his oeuvre: paintings and graphic works from his years in Paris between and The Parisian milieu, in which Farkas was a highly esteemed artist, is evoked by his tempera on board paintings, a selection of prints based on them as well as contemporary newsreels and enlarged photographs of newspaper articles published about him at the time.
The artist had his summer home in Szigliget built in but he only spent a few happy summers there, the last one in It is also accompanied by a page, richly illustrated catalogue in Hungarian and English.
Forsaken World is complemented by a chamber exhibition titled Shoah , paying tribute to the victims of the Holocaust 75 years ago. The bearded man in the middle of the picture is raising his left arm menacingly, while in his right he is holding a dried out, spiky branch of agave, a plant that grows all over Sicily, and which flowers only once before dying.
