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Menu All All. Sign In. Hide Spoilers. U Turn While I wouldn't describe John Ridley's "Stray Dogs," the source novel for "U Turn," as a noir classic -- or wildly original -- it is a fast-paced, pulpy thriller with lots of darkly comic moments, making it a fun read. It's not at all surprising that the movie rights were snatched up so readily, before the book was even in print.
Unfortunately for Ridley, Oliver Stone was the buyer. Stone is a talented director, but he's not exactly known for his restraint. Consequently, Ridley's fast-paced, pulpy thriller became the leaden, over-done and over-long "U Turn," a movie that's a chore to watch. Yet Ridley is credited as the screenwriter of this thing.
How could he have done this to his own book? According to this site, while he wrote the initial treatment for "U Turn," Stone and producer Richard Rutowski adapted it. Since they did not contribute at least 60 percent new material per Writers Guild guidelines, only Ridley is entitled to the screenwriter credit. This isn't surprising news. Ridley isn't blameless he's also listed as an executive producer, so it's not like he was uninvolved in the movie's production , but it's a pretty safe bet whose idea it was to include all the Native American imagery.
Though "U Turn" is populated with more caricatures than characters, most of the performances are engaging, with Billy Bob Thornton, as the greasy mechanic Darrel, stealing the show -- the parts not stolen by Nick Nolte, that is. Sean Penn is fine as Bobby Cooper, a sleazy-but-sane man stuck in a town full of lunatics, yet try as he might, Penn can't make his character interesting. The same goes for Jennifer Lopez as the femme fatale Grace, a role that asks little of her beyond looking hot.
