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To browse Academia. The fair's overall theme "A World View; A New Humanism" intended to encourage peaceful relations among nations, some of them embroiled in a 'total Cold War'. It was a battle of representations, the fair being a playground of arm wrestling ideologies. The US government saw Expo as an opportunity to propagate America's 'world view' and to counter Soviet-style socialism in the struggle for the world's hearts and minds. Just opposite the US pavilion, showcasing 'the American way of life', the USSR, preferring a narrative of vitality and strength, jammed its pavilion with sputnik models, heavy industry and high-tech.
While both the US and Soviet governments attempted to demonstrate their modernity at Expo , the predominant image was one of stereotyped behaviour. In the end, the US appeared to be a superpower doubtful of its achievements, strategies and technological superiority. It is somewhat ironic that part of the US pavilion still lives on, while all other national exhibits, including the Soviet pavilion - and political system - have been demolished or stripped.
Svetlana V. Nawel Sebih. Trauma and incommunicability are intimately connected: there are no words or images to describe the horrific event at the origin of the trauma. This indescribable impact creates an unspeakable and unrepresentable area within the trauma itself.
Therefore, a traumatic event is linked to the lack or the impossibility of its representation; a gaping hole takes place where the trauma stands. If trauma cannot be represented, how can this gap be illustrated? In the framework of cinema for example, creating a gaping hole in the representation of the trauma would be like inserting a void or some form of emptiness within the image itself.