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To browse Academia. P[art]icipatory urbanisms please also visit www. The bracketed [art] in the title of this publication refers to participatory urban aesthetic practices which could include community, social, or relational art initiatives, but also more general claims by city residents, city workers or activists on the visible and sensible aspects of public space. The publication has two components. The interviews trace how urban actors create politico-aesthetic ruptures; experience and experiment with the material and affective force of participation; and potentially reshape the urban imaginary.
The interviews also speak to the limits of participatory working processes in the face of small budgets and divided spaces. A second element of this publication is a peer-reviewed anthology of twenty articles expanding methodological and theoretical debates around the themes of urban participation and its entanglement with state power, aesthetic praxis, racialized and queer spaces, citizenship, temporality, publics, and infrastructure.
Contributions to the anthology span a broad range of disciplines and engage research from diverse geographic and temporal sites—from the occupation of a theater in Athens amidst the Greek economic crisis, to agonistic politics and participatory video art in a New Delhi urban village, to the cartographic interventions of a Harlem mailman in Jim Crow-era America.
The form of writing extends beyond traditional scholarly articles to include ethnographic reflections, case studies, and photo essays. Joana Braga. Sergios Striglogiannis. The emerging potential of urban commons in the Athens of Crisis. The last decades the discourse around the idea of the commons, both spatial and cultural, in the urban environment is becoming wider, more radical and in the same time more urgent.
