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In November, the artist and writer Molly Crabapple spent a week in Puerto Rico documenting grassroots efforts by communities to rebuild after Hurricane Maria.
Here are excerpts from her sketchbook. Puerto Rico is an elderly island. A quarter of its population is over sixty-five. This is due to the last of a series of great migrations. Poverty, gifted to the island by Spain and then exacerbated by American colonization, sent able bodies abroad. First, in the early twentieth century, they went to roll cigars in Ybor City, Florida, and to till plantations in Hawaii, then they went to basic training Puerto Ricans fought and died in both world wars , then, in the fifties, they went to sew garments and get cancer in the factories of New York.
These workers kept the island close. Many returned, after decades of labor, to buy their parcela , a bit of land on which to resurrect a half-fictitious childhood on the green and generous earth, but this time with American modernity and the conveniences that was meant to imply. They looked with shame at the outhouse, the well, the mosquito net. In the early twenty-first century, the pattern continued. In many cases, after Maria, it was the Puerto Rican elders who saved their neighbors and rebuilt their barrios.
When the bridge collapsed at Utuado, it was men in their sixties who waded through the waters and strung a wire across the river. For over two months, a shopping cart slid back and forth along that wire to deliver food to the people still in the barrio. New York Magazine wrote about Ernesto Matos Santana, a seventy-nine-year-old fisherman who got in his boat and rescued fifteen people stranded by the floodwaters.